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Collection of the Lowe Art Museum, University of Miami
Il est dans un bel état vot' manteau! C'est ce diable de national qui me l'a déchiré (Your cloak is in quite a condition Sir. It's this devil of "National" who got it into that state)
Collection of the Lowe Art Museum, University of Miami
© Lowe Art Museum, University of Miami. All rights reserved.

Il est dans un bel état vot' manteau! C'est ce diable de national qui me l'a déchiré (Your cloak is in quite a condition Sir. It's this devil of "National" who got it into that state)

Artist/Maker Honoré Daumier France, 1808-1879
DateSeptember 25, 1834
CultureFrench
Mediumlithograph
DimensionsSheet: 9 1/8 x 12 3/8 in. (23.2 x 31.4 cm)
Overall: 10 3/8 x 13 7/8 in. (26.4 x 35.2 cm)
ClassificationsVisual Works
Credit LineGift of Dr. Daniel J. DelRowe
Terms
    Object number98.0044.52
    On View
    Not on view
    Collections
    • Art of Europe
    Collection of the Lowe Art Museum, University of Miami
    Tiens, c'est madame Camuzot dans le premier moment j'avais cru que c'était une Néréide! (Well, it's Madame Camuzot for a moment I took her for a sea-nymph!), Plate 5
    Honoré Daumier
    August 13, 1853
    Collection of the Lowe Art Museum, University of Miami
    Pot de vin, arrestations arbitraires, mitraillades, transnoninades, elle couvre tout de son manteau (Bribes, arbitrary arrests, grapeshot fire, Rue Transnonain massacres, she covers all with its robe)
    Honoré Daumier
    September 7, 1834
    Collection of the Lowe Art Museum, University of Miami
    Oh! hé! viens-tu souper la Gustine? Laisse-la donc! madame ne vit que de sentiment ce soir! (Elle a trouvé son petit paroissien de jeudi, et c'en est une, mon cher, de colombe, qui resterait là vingt quatre heures sans boire ni manger, c'te bête-là!), Plate 66
    Paul Gavarni
    1842
    Collection of the Lowe Art Museum, University of Miami
    Ô vous qui m'offriez et sucre et cassonade... (Oh you who offered me sugar and brown sugar...), Plate 2
    Honoré Daumier
    September 10, 1839
    Collection of the Lowe Art Museum, University of Miami
    Inconvénient pour un proprietaire de ne pas bien se rappeler au juste ou il a fait placer des pieges à loup. (Quite embarrassing not to remember where one has hidden the wolf traps.), Plate 44
    Honoré Daumier
    March 14, 1846
    Collection of the Lowe Art Museum, University of Miami
    Par où fait-il passer pour aller au. Allez au diable.
    Paul Gavarni
    not dated
    Collection of the Lowe Art Museum, University of Miami
    The Cathedral of Milan - Up Among Its Myriad Spires, Italy
    Underwood & Underwood
    ca. 1910
    Collection of the Lowe Art Museum, University of Miami
    The Tiber and Its Island from the Southeast, Rome
    Underwood & Underwood
    ca. 1910
    Collection of the Lowe Art Museum, University of Miami
    La vache et sa gardienne (The Cow and Its Keeper)
    Charles Joseph Beauverie
    1860
    Collection of the Lowe Art Museum, University of Miami
    Mon cher, le municipal a emporté le petit muf'e avec qui je dansais, parce qui voulait pincer son cancan et qui ne pouvait pas, ce jeune homme!.. t'aurais ri!, Plate 50
    Paul Gavarni
    1841
    Collection of the Lowe Art Museum, University of Miami
    Qui en veut? qui en veut? Vas te coucher bavard! (Who Wants Some? Who Wants Some? Get Lost, You Babbler!)
    Honoré Daumier
    January 4, 1835
    Collection of the Lowe Art Museum, University of Miami
    L’inconvénient de se faire bichonner. Saperlotte prenez donc garde vous me brulez! J'ai un rendez vous, je veux que vous me fassiez beau mais pour aller parler de ma flâmme, il n'est pas nécessaire que je sente le roussi! (The inconvenience of having his hair curled. Oh blast look here, watch out you are burning me. I am meeting someone, and I want you to make me look good but in order to declare my burning passion, I don't need to smell scorched!), Plate 31
    Honoré Daumier
    1843-1846
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